Phyllida Barlow, etc Copenhagen 2007.

PHYLLIDA BARLOW

Present appointment: Professor of Fine Art Director of Undergraduate Programmes, Undergraduate Tutor,

Education/ Qualifications

1963 Chelsea College of Art Diploma Chelsea College of Art 1966
Slade Diploma Slade School of Fine Art

Professional History

1966-1967 Part time lecturer in sculpture West of England College of Art 1967-1978
Part time lecturer in sculpture Chelsea College of Art
1984-1986 0.5 lecturer in sculpture Brighton Polytechnic Fine Art Dept.
1986-1988 0.5 lecturer in sculpture Camberwell School of Art
1988-1994 0.5 lecturer in sculpture Slade School of Fine Art
1991-1993 Part time visiting lecturer in sculpture Chelsea College of Art
1992-1994 Part time visiting lecturer in sculpture Royal College of Art
1992 Acting head of sculpture Slade School of Fine Art
1997-2004 Reader in Fine Art, Head of Undergraduate Sculpture Slade School of Fine Art
2004-2007 Professor of Fine Art Director of Undergraduate Studies, Undergraduate Tutor Slade School of Fine Art
2006 Joint Acting Head of School with Professor John Hilliard Slade School of Fine Art
2007-2008 Professor of Fine Art Slade School of Fine Art Director of Undergraduate Studies Undergraduate Tutor Slade School of Fine Art Head of Undergraduate Sculpture Slade School of Fine Art

OTHER APPOINTMENTS AND AFFILIATIONS:

Visiting Professorships:
2009 Visiting Professor in Sculpture Royal College of Art.
2006 Visiting Professor of Sculpture University of Lincoln Faculty of Art, Design and Architecture.

Visiting Artist Residencies and Seminar:s
2009 The Sculpture Studio Chapter Gallery, Cardiff
2007 International Visiting Artists programme Umea University, Visual Arts Dept. Sweden
2006 Invited lead artist Bezalel Academy of Fine Art and Design, Jerusalem, Israel, centenary event: exhibition critique and panel discussion ‘What is Art School for?’
2004 Invited lead artist Poznan Academy of Arts, Poland: Slade / Poznan collaboration
2003 The McDermott Visiting Artist University of Texas at Dallas
1996 Artist in residence The International Art Education Workshop, National College of the Arts, Lahore, Pakistan.
1987 Artist in Residence Kettle’s Yard, Cambridge University.

Governorship
1997-2001 Byam Shaw School of Art Director/ Chair of Governors: Alister Warman

EXHIBITIONS, COMMISSIONS (from 1995)

Solo Exhibitions:

2009 BRAKE, One in the Other Gallery, Vyner St., London, E2
2008 STINT, 10 sculpture installation for Mead Gallery, Warwick Arts Centre, curated by Ronnie Simpson. stack, fence, New Commissions for Southbank Centre Untitled, two sculpture commission for the Kilkenny Arts Festival Ireland
2007 ‘untitled: ramp, tower, flags, 2007’: Galleria Jesus Gallardo, Leon, Mexico ‘Over Under’: a nine sculpture installation commission, 1, Canada Square, Canary Wharf ‘New Sculpture: in the Gallery and Grounds’, New Art Centre, Roche Court,
2005 ‘Untitled: demo’: a nine sculpture installation: Studio 1.1, London, E2 A Sense of Place: A Place of Sense, ‘Untitled: after’, a nine sculpture installation: Beacon Art project, The Maltings, Sleaford, Lincs. ‘Remnants, dallas, 2003’ an exhibition of small sculptures by Phyllida Barlow, McDermott Visiting Artist, 2003, MAC, Centre for Contemporary Art, Dallas, Texas. SCAPE: a nine sculpture installation, Spacex, Exeter SKIT: a seven sculpture installation, Bloomberg Space, London 2004 Peninsula: a nine sculpture commission, Baltic, Centre for Contemporary Art, Gateshead. Nov.19, 2004-April17,2005, catalogue ISBN 1903655226, 60 pp, 40 images, text Pippa Coles, Sally O’Reilly published 2005, BALTIC publications. Tannery Arts Exhibtions, 2004, Phyllida Barlow, selected by Clem Crosby: Tannery Arts, Brunswick Wharf, London, E2 8BD. July 22-28 An Installation and a selection of drawings to celebrate the publication of ‘Objects for…and other things’: Program, New Burlington Place, W1S 2HP, June 11-16. Four sculpture installation for ‘Explicit Faith’, July5-16, choreographed by Gaby Agis, performed by Gaby Agis, Jo Moran, Florence peake, Eva Mari Mukta, Marie Clair McKenna at The Jerwood Hall, St Lukes Church.
2003 untitled: Dallas,2003, five sculpture installation for the University of Texas at Dallas, Visual Arts Gallery, sponsored by the McDermott Foundation. Remnants, sixteen sculptures for The Magnet School, Dallas, Texas, curated by Nash Flores. Remnants, fifteen sculptures for the Angstrom Gallery, Dallas, Texas.
2002 New Sculpture, curated by Sotiris Kyriacou for the Richard Salmon Gallery, London. Fete, installation curated by Louise Short for Station, Phoenix Wharf, Bristol.
2001 Knives in Hens, set design commissioned by The Attic Theatre Company, at Wimbledon Theatre, directed by Jenny Lee, written by David Harrower, touring to 11 venues throughout the UK.

Group Exhibitions:

2009 The Real, V22 Sculpture Exhibition, curated by Fergal Stapleton for The Almond Building, Tower Bridge, Bermondsey. Collaborators, ROOM Gallery, Waterson St., London , E2. Hijack Reality, Bob and Roberta Smith solo exhibition, invited artist Phyllida Barlow, Mead Gallery, Warwick Arts Centre, Warwick University, 10.01.2009-09.03.2009
2008 Stuff with Alison Wilding, Laura White, Bettina Buck for V22 at Wharfe Road. Prospects and Interiors Sculptors’ Drawings of Inner Space. Curated by Sophie Raikes. Henry Moore Institute, Leeds. Accompanying essay by Sophie Raikes: ISBN9781905462223. 01.06.08-24.08.08 STEW curated by Andrew Stahl, Art Space Gallery, Michael Richardson Contemporary Art. Entre Muros (Between Walls), curated by Reynaldo Thompson, CAS Gallery, University of Miami, Florida, USA Jan 25-Feb 24 2008.
2007 etc…,curated by Sotiris Kiriacou, Amagerfaelledvej Art Project, Copenhagen, 005.10.07-04.11.07 says the junk in the yard, Flowers East, E2 8DP, 3.08.07-08.09.07 An Exploration into Abstract Painting, Studio 1.1 Gallery, Redchurch Street, E2 7DJ, 20.07.07-12.08.07. 3things, RUN, 24, Tudor Grove, London, E8; an exhibition made by Donald Smith, 10.06.07-31.10.07. Art 38 Basel, New Art Center, Hall 2, stand W4, Messe Basel, the Swiss Exhibition Centre, Basel. Rummage Sculptors’ Drawings, selected by John Gibbons, The Winchester Gallery, Winchester. Jumbo Shrimp, Woburn Slade Research Centre, curated by Theresa Liang and William West. Entre Muros (Between Walls), Galeria Casa de los Manos, Leon, Mexico, 11.01.07-28.02.07
2006 Ebb and Flow RAID Projects, Los Angeles, CA 90031 Entre Muros (Between Walls), curated by Reynaldo Thompson, University of Guanajuarto, The Tomas Chavez Morado Gallery and Attrium; touring to Southside, Dallas,Texas, 22 artists from the Southside Artists In Residence Programme, University of Texas at Dallas. Beauty and the Beast, Fieldgate Gallery, London, selected and curated by Laura White and Richard Livingstone Wandering Star, GANA Art Centre, Seoul, Korea, curated by Jeremy Akerman, catalogue 64 pages, 36 images.Text by Sacha Craddock, published by Gana Communications Seoul. Royal Academy of Art Summer Exhibition courtyard commission Please Close the Gate: Painted sculpture at Roche Court, selected by Penelope Curtis.
2005 Sleigh, Arts & Business, London SE1 Zoo Art Fair, Studio 1.1, London Zoo, Mappin Terraces, London, NW1 New Acquisitions: Works on Paper,Phyllida Barlow,Cecile Johnson-Soliz, Sarah Staton: Henry Moore Institute, Leeds, Rough Diamond, Program, London Drawing Two Hundred, Biennial Fundraiser, The Drawing Room, Tannery Arts, London, E2 Merveilles du Monde, Musee de L’Art Contemporain, Dunkirque Arte Fiera Boulogna, Boulogna, Italy Ebb and Flow: Three Colts Gallery, London
2004 Love Story, curated by Erica Winstone fro the Dannielle Arnaud gallery, 123, Kennngton Road, SE11 6SF. Nov.5-Dec.12 (6 artists) Zoo Art Fair: Program, Mappin Terrace, Regents Park, (8 artists) Zoo Art Fair: Studio1.1 Gallery, Prince Albert Suite, Regents Park (8 artists) BirdHouse, 38, Mitchell Street, London, EC1, March4-27. (20 artists)
2003 Shelf Life, ‘60 minutes’: Studio 1.1, curated by Gill Ord Location,Location, Location, ‘holed up: red yellow green pink’: Albury Arts, Potsford House, Guildford curated by Robert Rush and James Baachi-Andeoli The Drawing Auction, ‘untitled: engraved acrylic’: The Drawing Room, Laburnham Street, E8 The Greatest Show on Earth, ‘untitled: metropole, 2003’: curated by Peter Fillingham, Metropole Gallery, Folkestone.
2002 Harvey's Bodies, ‘untitled: red coil’: Metropole Gallery, Folkestone Royal Academy Summer Exhibition, ‘Neck’: Invited Artist, curated by Alison Wilding.
2001 Station to Station, Spacex 2, ‘Four’: curated by Louise Short, Exeter Maritime Museum, Exeter, Devon. Mile End Park Sculpture Exhibition, ‘View’: Mile End Park, Tower Hamlets, London, E8. British Art Show 5. ‘after dark into black’: commissioned by the Hayward Gallery, selected by Pippa Coles, Matthew Higgs, Jaqueline Poncelet, a National Touring Exhibition, organised by the Hayward Gallery, London, supported by the Arts Council of England,
2000. Touring to Edinburgh, Southampton, Cardiff, Birmingham.
1999 Sculpture, ‘dawn till dusk’: The Royal Western Academy, Bristol: six sculptors, selected by Alison Wilding and John Maine, for the Triennial Sculpture Exhibiton. O Pas La - Surprising Places, ‘Far Away’: L.A.C.:Lieu D'Art Contemporain, Narbonne, France, curated by Aude Herail Jaeger. Supported by the Henry Moore Foundation, FRAC, DRAC: Rousillon-Langudoc, British Academy, British Council, Richard Salmon Gallery, James Herrick. Furniture, ‘Object for a Piano’: curated by Paul Heber-Percy for Richard Salmon Gallery, London, touring to John Hansard Gallery, Southampton, Bluecoat Gallery, Liverpool Dumbfounded, ‘Plug it, Bad fit, Stand up’: curated by Carmel Buckley, Battersea Arts Centre, London, touring to New York, Chicago, San Francisco: 2001-2002
1998 Not Nothing Nowhere, ‘after dark’: The Master Shipwrights House, Deptford, London, curated by Willy Robertson and Chris Mazieka, supported by Greenwich Millenium Fund, Docklands Millenium Regeneration, and private sponsors. Out of Place, ‘Time and Time Again’: Chapter Art Gallery, Cardiff, Wales curated by Nilofar Akmut, from the National College of Arts, Lahore, Pakistan, International Workshop, supported by the Arts Council of Wales, Pakistan Airlines. Touching Matters, ‘Little Drunks’: The Gallery, Swiss Cottage Library, London, curated by Francois Dupre for the Women in Focus, commissioned by Camden Arts. The Ugly Edge, ‘Big Bad Ugly’: The Henry Moore Institute Gallery, curated by Elizabeth Rosser, for the Ugly Edge Conference.
1997 EAST International, ‘Truce’: Norwich School of Art, selected by Nicholas Logsdail and Tacita Dean, supported by the Arts Council of England.

APPOINTMENTS TO SELECTION PANELS AND AWARD PANELS.

2008 Paul Hamlyn Award judge Red Mansion Prize judge Jerwood Sculpture prize judge Curating Fellowship, ‘Modern Times’ , Kettle’s Yard, Cambridge funded by the Isaac Newton Foundation.
2007 Panel Judge for the Dupree Family Award to a Woman Artist, Royal Academy. Judge for the Mark Tanner Sculpture Prize at Standpoint Gallery.
2003 Invited nominator for the Beck’s Futures Arts Awards, ICA.
2001 Nominator for the Arts Foundation Awards 2001 Nominator for the Paul Hamlyn Award 2001 Selector for 'Sculpture' , New Ashgate Gallery, Farnham.
2000 Elected to the selection panel for the new Slade Professorship
1999 Selector for the Kettles Yard Open Exhibition, Cambridge
1998 Selector for the 1998 New Contemporaries: with Eddie Berg, Christine Hohenbuchler and Adrian Searle. Chair: Sacha Craddock
1995 Nominator for the Sculpture Awards: The Arts Foundation [Nominator of Award Winner: Melanie Counsell]
1994 Selector for the Prudential Awards for the Visual Arts: with Cedric Price, Richard Wentworth, chaired by Julian Forrester.
1994-1998 Selection Panel: British School at Rome, Fine Art Faculty Board
1993-1994 Selection Panel: British School at Rome, The Sargent Fellowship
1990-1993 Selection Panel: The British School at Rome, Rome Scholarship 1992 Selector of Installation Art Section at ‘Fresh Art’, Islington Business Design Centre

EDITORIAL BOARDS

2006- Sculpture Journal, editor Katherine Eustace, published by Liverpool University Press and the Public Monuments Sculpture and Monuments Association

PRIZES, AWARDS

2007 Award to an Individual Artist Arts Council of England 2007 £45,000 Award to an Individual Artist Paul Hamlyn Foundation
2006 The Dupree Family Award to a Woman Artist Royal Academy of Arts

GRANTS

2003 The Henry Moore Foundation to Black Dog Publishing Ltd., for production costs, including a round table discussion titled ‘Sculpture Now’,
for the monograph ‘Objects for…and other things’ on the sculpture, drawings and writings of Phyllida Barlow.
2003 The Elephant Trust for production costs of ‘Objects for…and other things’ a monograph on the sculpture, drawings and writings of Phyllida Barlow, published by Black Dog Publishing Ltd.
2003 Dean’s Award University College London. Research travel award to the University of Texas at Dallas, USA.
1996 Dean’s Award University College London. Research travel award to travel to Lahore, Pakistan: International Art Education Workshop: National College of Arts.
1996 British Council Travel Bursary To participate in the International Art Education Workshop at the invitation of the National College of Arts, Lahore.
1995 Elephant Trust Award For a four sculpture installation, ‘Depot’, for the Museum of Installation, London.

INVITED TALKS:

2009 ‘What Do Artists Do’ event at Wysing Arts Centre, Cambridge with the RCA Curating course. 2009 Art and Art History Teachers conference at Roche Court, Phyllida Barlow, Lawrence Wolff, Edmund de Waal. Friday 23rd January 2009
2008 What is the Future of Art Education? Panel discussion member for the Art Monthly series on art education, with Pavel Buchler, Vaughan Grilles, Michael Corris, chaired by Patricia Bickers. The Subjective Objective –a symposium co-ordinated and chaired by artist in residence Kate Davis, Cove Park International Art Centre, Rosneath, Argyll, Scotland: talk by Phyllida Barlow
2007 TRADE: Artists in Conversation, Phyllida Barlow, Alfedo Jarr, Patricia C.Phillips,Leitrim and Roscommon Visual Arts Programme Seminar and Residency, Boyle, Roscommon, Eire. Dec 7-8 2007
2007 How to Make, (or Artist as Hostage) a response to Bresson’s A Man Escaped’, post screening talk, at PEER for Canal on Viner Street curated by Gareth Jones.
2006 The Language of Art, curated by Joe Moran, Chisenhale Dance Space Workshop Events
2006 ‘What Will You do with That Degree’ Panel discussion with Andrew Renton, Prof. Sam Ainsley. Ben Gurion Airport. The Centenary Events for Bezalel, Jerusalem, Israel.
2006 Interdisciplinary Forum: Royal College of Art, co-ordinated by Jon Houlding (27.04.06)
2005 Permission to Fail: Talk and Seminar, Ruskin School of Drawing, Oxford University, co-ordinated by Abigail Reynolds.
2005 Research Spaces, Materialisation of Practice in Art and Architecture: Transitional Spaces:Phyllida Barlow, Ship in a Bottle, an illustrated talk by Phyllida Barlow on her work -Slade / Bartlett conference, Woburn Research Centre
2004 Treason of Images: Teaching Modern Art, Tate Modern. Installation Session, chaired by Helen Charman: ‘Throwing Away the Maps’, slide illustrated talk by Phyllida Barlow.
2004 The Artist Educator: Entrepreneur or Educator, Tate Britain: chair of panel discussion, Liberation, Responsibilities and Being at Home with Richard Wentworth, Mark Wallinger and Eva Rothschild.
2003 Barnet Newman Study Day, Tate Modern/Open University, coordinated by Sophie Howarth and Gill Perry: edited version of 'Hearsay, Rumours, Bedsit Dreamers and Art begins Today', Tate Modern.
2002 Eva Hesse Symposium: ‘Encountering Eva Hesse’, Tate Modern/Leeds University collaboration coordinated by Prof. Griselda Pollack: 'Lost for Words', slide illustrated talk on the work of Eva Hesse, Tate Modern
2002 The Whitechapel Art Gallery Seminar Series: Next Generations: Current Sculptural Practice in the UK and Beyond: 'Hearsay, Rumors, Bed-sit Dreamers, and Art Begins Today', slide illustrated talk by Phyllida Barlow, in conjunction with the exhibition ' Early One Morning' and with Iwona Blazwik, JJ Charlesworth, and Niru Ratnam, Whitechapel Art Gallery.
2002 Royal Academy of Arts: Architecture Forums; 'The City as Sculpture: From Skyline to Plinth' ‘In and Out of the City’: a slide illustrated talk for a panel discussion chaired by Richard Cork, with Antony Gormley, Royal Academy of Arts.
2001 NYU in London: Saturday Artists' Seminar: ‘What is Public Art?’. ‘Big Bad Ugly’ Slide Talk
2001 Studio Lives: Contemporary Views by Artists: Henry Moore Institute, Leeds. Slide Talk: Phyllida Barlow on her work and its relationship to the studio.
2001 'Selector's event': New Contemporaries: panel discussion with Eddie Berg, Jennifer Higgie, at the Camden Arts Centre.
2001 Southern Arts Board, conference: ‘Artistic Judgements: a discussion about quality in the visual arts’, at St. Catherine’s College, Oxford. Report with paper titled 'On Being Judged'. Published by Southern Arts April, 2001, p. 3-10, edited by Les Buckingham.
2000 Issues in Art Eductaion:'The Dynamics of Now', Paper titled 'Travelling Light: a brief analysis of the end of work and the triumph of the 35mm colour transparency'. Given by. Phyllida Barlow for 'From Varying Positions',
1998, at the Tate Gallery, organised by Wimbledon School of Art. Edited by William Furlong, Polly Gould and Paul Hetherington. Published by Tate Gallery Publishing Ltd., London, SW1P 4RG, p.189-194. ISBN184537270X.

Gallery Talks and Lectures: by Phyllida Barlow given at her exhibitions:

2009 STINT Mead Gallery, Warwick Arts Centre, Warwick University, Gallery Talk for De Montfort University Fine Art Course
2007 Adapted version of Painting Sculpture into a Corner, at the University of Guanajarto, Mexico, in relationship to her exhibition untitled: flags, ramp, tower, Galleria Jesus Gallardo, Leon, Mexico. 2007 Phyllida Barlow; New sculpture at Roche Court, a lecture and discussion organised for local 6th form Colleges.
2005 Phyllida Barlow, Lucy Reynolds and Tom Trevor in pre-exhibition opening discussion: in relationship to her exhibition SCAPE at Spacex, Exeter. 2005 Phyllida Barlow in conversation with Sacha Craddock: curated by J.J. Charlesworth at the Great Eastern Hotel, for the internet magazine E-digest edited by J J Charlesworth 2005 Phyllida Barlow in conversation with Mark Godfrey: in relationship to her exhibition SKIT at Bloomberg Space 2005 A Sculpture Workshop and Lecture for A /As Level students in relationship to Peninsula, at Baltic Centre for Contemporary Art.
2004 Phyllida Barlow in conversation with Sacha Craddock: in relationship to her exhibition Peninsula, Baltic, Centre for Contemporary Art, Gateshead.
2003 Aspects of Sculpture: Three Lectures: ‘Big Bad Ugly’, ‘The Sneeze of Louise’ and ‘Hearsay Rumours, Bed-sit Dreamers and Art Begins Today’ in relationship to her exhibition ‘untitled: dallas,
2003’ University of Texas at Dallas, USA.

Gallery Talks and Lectures: by Phyllida Barlow in relationship to other artists’ exhibitions:

2008 Psycho Buildings Hayward Gallery exhibition with stack, fence Southbank Commission by Phyllida Barlow, Gallery talk and discussion titled ‘Public art: or not’
2006 IMF Gallery, with Peter Suchin, Talk and Discussion for ‘Get It Right’ exhibition by Alex Costello.
2004 Contemporary Sculpture and the Work of Eva Rothschild: slide illustrated lecture, adapted version of ‘Hearsay, Rumours, Bed Sit dreamers and Art begins Today’: Zurich Kusthalle, Switzerland.
2003 ‘Lost for Words’: slide illustrated talk on the work of Eva Hesse, MFA Seminar Programme, University of Texas at Dallas.
2003 Maelstrom, exhibition by Eric, Prenelle Gallery, panel discussion and talk: 'The Ghost in the Machine'
2000 Spectacular Bodies, the History of Art and Science from Leonardo to the present day, Hayward Gallery, Gallery Debate with Professor Michael Baum, Emeritus Professor in Surgery, and Visiting Professor in Medical Ethics, UCL, and Phyllida Barlow.
2000 Panamarenko, Hayward Gallery: Tuesday Gallery Talk.
1998 Pistoletto Retrospective, Museum of Modern Art, Oxford: Gallery Talk
1998 'The Sneeze of Louise' Newcastle University Fine Art Dept. Artists' Lectures Series 1998 Playing with Paradox, Opening Talk ‘Touching the Past’ for the retrospective of the work of George Fullard, Kettles Yard, Cambridge and Mappin Art Gallery, Sheffield 1998 Louise Bourgeois: New Work, Serpentine Gallery, London. Gallery Talk 1998 Out of Place, Gallery Talk for the visually impaired, Chapter Art Gallery 1998 Rose Finn Kelcey: New Work, Camden Arts Centre, London. Joint Gallery Talk and Discussion: Phyllida Barlow and Guy Brett 1998 Tony Cragg: New Work,’Paper Tiger’.Gallery talk. Whitechapel Art Gallery, London
1997 University College, London: History of Art Department: Sculpture Seminars: 'The Sneeze of Louise' organised by Alison Sleeman.
1996 TRY exhibition, ‘Sculpture-Dead or Alive’. Gallery talk and discussion: Royal College of Art, London ‘The Sculpture of Louise Bourgeois’, ‘The Sneeze of Louise’: Gallery Talk for the Friday Review at Oriel Gallery (Arts Council of Wales), Cardiff ‘The Hatred of the Object’. University of Essex Art History Dept. in collaboration with the Cambridge Darkroom Gallery.
1995 The Rites Of Passage exhibition, ‘The Sneeze of Louise’: the Sculpture of Louise Bourgeois: The Tate Gallery, London
1993 The Sculpture of Susana Salano,Whitechapel Art Gallery, London. Gallery Talk
1991 Pistoletto- a Retrospective, Camden Arts Centre. Gallery Talk.
1990 For the Sightlines Gallery Talk series on the installation exhibition ‘Seven Obsessions’ at Whitechapel Art Gallery, London. Visiting Artists’ Lecture Programmes:

Illustrated Talks given by Phyllida Barlow on her work, and her work in relationship to other artists:

2009 Phyllida Barlow, Goldsmiths College, Visiting Artists; lecture Programme Phyllida Barlow, Cardiff Institute of Higher Education, Fine Art Course Visiting Artists Lecture Programme
2008 Painting Sculpture Into a Corner, UOA Central St Martins: Monday Visiting Artists’ Lecture Programme Making It Up, Wimbledon School of Art: Wednesday Visiting Artists’ Lecture Programme. Making It Up for Sheffield University Visual Arts Department ‘Transmissions’ Lecture Series and Forum, curated by Sharon Kievland and Carl Von Weiler 2008 Making It Up for Cardiff Institute of Visual Arts and Design Visiting Artists Lecture Series, co-ordinated by Cecile Johnson-Soliz
2007 Making it Up – International Artists Lecture Programme, Umea University Visual Arts Department, Sweden 2007 Painting Sculpture Into a Corner, Academy of Fine Arts, Copenehagen
2006 Inaugural Lecture: appointment to Professor of Fine Art, Painting Sculpture into a Corner, J.Z. Young Lecture Theatre, UCL
2006 Painting Sculpture into a Corner, Ferens Fine Art Lecture Series, Hull University.
2005 Painting Sculpture into a Corner, illustrated lecture on the work of Phyllida Barlow, lecture series organized and selected by Pavel Buchler, Cornerhouse Fine Art Lecture Series.
2005 Phyllida Barlow: Artists’ Talks Programme, Goldsmiths BA Fine Art
2004 Phyllida Barlow Visiting Artist in Resident Lecture Programme: Poznan Academy of Arts at Skoki, Poland.
2003 Phyllida Barlow :‘Big Bad Ugly’ University of Texas at Dallas Phyllida Barlow: ‘Big Bad Ugly’ Southside on Lamar, Dallas, Texas
2002 Phyllida Barlow ‘Recent Work’ Newcastle MA Fine Art Course
2001 Phyllida Barlow ‘On the Edge’ Newcastle University MA Fine Art Seminar Slide Talk. 2001 ‘Phyllida Barlow On the Edge’ Visiting Artists' Lecture Programme and Seminar, Cardiff Institute of Art and Design

Collections Private collections

2007 untitled rack: timber, plaster, paint, 2007, Tate purchase 2006 7 drawings from 1970s-1990s: The Henry Moore Institute untitled: yellow 2006, Private collection 8 coloured drawings from ‘Street Objects archive’ 2001-02, the Henry Moore Institute, Leeds

PUBLICATIONS (texts by Phyllida Barlow):

2008 HOST for Sheffield Hallam Transmission lecture series, transcribed by Carl Von Weiler, published by Arts wordspress, ISBN 9781906441142
2007 How to Make, or Artist as Hostage: A view of Rober Bresson’s ‘A Man Esaped’(Un Homme Condamne a Mort cest Escappe’), published by Untitled, July 2007, edited by Lilly Plender. Carl Plackman Sculpture Drawing Writing catalogue for ‘Beyond Appearances the Sculpture of Carl Plackman, 1943-2004’ , Huddersfield Art Gallery, text by Phyllida Barlow Remembering Carl Plackman p37, edited by Jon Wood, published by Huddersfield Art Gallery ISBN 9780900746901 Catalogue text: Sean Edwards Exhibition for www.chapter.org
2006 Encountering Eva Hesse, edited from the Tate Modern conference: Encoutering Eva Hesse co-ordinated by CATH, Leeds University, lecture titled Lost for Words, edited by Griselda Pollack and Vanessa Corby, Prestel,
2006, London, Germany, USA, p. 217-221, ISBN3-7913-3309-7
2005 Helsinki Photography Festival, to be continued…Making Time, on Gary Stevens’ performance work, catalogue text for British Coucil touring exhibition, Finland Publishers:Valokuvagalleria Hippolite and British Council ISBN0863555489 (UK)
2003 Text 'Testing for Lies' for Edward Fellows' exhibition catalogue: ‘Drawings and Photographs’, Rushy House, Brixton, London. Text ' a severe weather warning' for Melanie Counsell's exhibition catalogue 'BAG' for Editions Ville Saint Clair, Sete, France: Published Aug. 2003. p. 58-59. edited by Jaques Fournel. Frieze Magazine: Picture: film still from 'Mandy' 1952 with text. Published by Durian Publications Ltd. England, April, 2003, issue 74, p.53-54. ISSN 09620672
2002 Slade Magazine. Text on Angela de la Cruz: notes from a studio visit, July 22, 2002. '…from the mouth to the tail'. Slade Publications, 2002, p.1-2, co-edited by Aliki Braine. The Architectural Review: June 2002: The Royal Academy Forum: ‘The City as Sculpture: from the plinth to the sky’. Text: 'In and Out of the City', June,2002, p.90-91, ISSN0003-861X The Henry Moore Institute Newsletter: ‘The Sculptor Speaks’ a response to the conference on the HMI’s collaboration with the National Sound Archive production of an oral archive of sculptor's voices. Published by The Henry Moore Foundation. Edited by Liz Aston. Feb.2002, p.2. ISSN1363-1152

Publications ( on the work of Phyllida Barlow):

2009 New Work, interview with Paul Carey Kent, Art World magazine, April, 2009, Art World 11, ISSN 1755-0092, Edited by Paul crey – Kent, Ben Luke.
2007 Out of the Ordinary: Spectacular Craft, text by Tanya Harrod for chapter Technological Enchantment, image and text on the work of Phyllida Barlow, pp30-31; Van A Publications, 2007, edited by Rosy Greenlees, Mark Jones, Laurie Britton Newell, Tanya Harrod, ISBN9781851775248.
2006 Phyllida Barlow: Teacher and Student, interview by Mark Godfrey for Frieze, Art Schools Then and Now,p.168-175. Issue 101, September 2006, ISSN 0962 0672 2005 Sense of place; place of sense, Beacon Art Project, texts by John Plowman and Sally O’Reilly, Published by Beacon, Lincolnshire, ISBN1860502032 UTDallas Southside, The first two years: editors: Richard Brettell, Karen Weiner, Published by University of Texas at Dallas. Phyllida Barlow Peninsula 60 page catalogue to accompany the nine sculpture exhibition commissioned for the 4th floor gallery of Baltic, Centre for Contemporary Art, Gateshead. Published by Baltic, ISBN1-903655-22-6
2004 ‘Objects for…and other things’: a monograph on the sculpture, drawings and writings of Phyllida Barlow. 288 p. Published by Black Dog Publishing Ltd, London, New York. Edited By Duncan McCorquadale. Texts by Mark Godfrey and Jon Wood. Transcribed round table discussion ‘Sculpture Now’, chaired by Phyllida Barlow with Richard Deacon, Charles Harrison, and others. ISBN 1901033597

TV/Radio Appearances:

2008 Resonance radio station live debate from Ikon Gallery: ‘What is the future of art education’
2007 CNN Profile on Rachel Whiteread, produced by Pamela Borovsky
2005 Art School BBC2, Sept. 1-10, final critical session with Sacha Craddock, Richard Cork, J.J.Charlesworth, and others, Endemol Television Productions, Bristol, presented by Claudia Winkleman, filmed at Chelsea College of Art, Millbank, University of the Arts.

Artists/Organisatons

Data Wall:
AESD: Agency for Economy and Space Development:
Maziar Afrassiabi, Shahin Afrassiabi,
Sam Basu, John Colenbrander,
with thanks to Julian Meinold and
Piers O'Hanlon
NIS: New International School: Matthew Stock
Treignac Projet: Sam Basu,
Elizabeth Murray.

The Real:
Phyllida Barlow, Tom Burr,
Anne Damer, Karin Ruggaber,
Audrey Reynolds, Fergal Stapleton,
Brian Wall, Martin Westwood.

Oysters Ain't:
Karen Ay, Vanya Balogh,
Fiona Banner, Richard Bartle,
David Batchelor, Rob Beckett,
Simon Bill, Hartmut Bohm,
Jake & Dinos Chapman,
Cedric Christie, Steve Claydon,
Clem Crosby, Cullinan+Richards,
Penelope Curtis, Arnaud Desjardin,
Valerie Driscoll, Richard Ducker,
Garth Evans, Urs Fischer,
FREEE ( Dave Beech, Andy Hewitt &
Mel Jordan), John Gibbons,
Tom Gidley, Paul Gildea,
Katherine Gili, Andrea Giulivi,
Stewart Gough, Naum Gabo,
Robin Greenwood, Brian Griffiths,
Zoe Griffiths, Nicola Hicks,
Peter Hide, Flore Nove-Josserand,
Helene Kazan, Michael Kidner,
Philip King, Simon Liddiment,
Ed Lipski, Colin Lowe,
Sarah Lucas, Christina Mackie,
Rebecca Johnson Marshall,
Bruce McLean, Haroon Mirza,
Cathy de Monchaux, Henry Moore,
Zadoc Nava, Paul Neagu,
Lawson Oyekan, Eduardo Paolozzi
, Nicholas Pope, Richard Priestley,
Michael Sandle, Paul Sakoilsky,
Celia Scott, Dallas Seitz,
Meg Shirayama, Jane Simpson,
Anthony Smart, Bob & Roberta Smith,
Richard Smith, Steve Smith,
Sarah Staton, Dan Stevens,
Simon Stringer, Michael Stubbs,
Gavin Turk, Jessica Voorsanger,
Gary Webb, Richard Wentworth,
Keith Wilson, Mark Woods,
Richard Woods, Lars Wolter,
Christian Wulffen.

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Tara Cranswick