Artists/Organisatons

Data Wall:
AESD: Agency for Economy and Space Development:
Maziar Afrassiabi, Shahin Afrassiabi,
Sam Basu, John Colenbrander,
with thanks to Julian Meinold and
Piers O'Hanlon
NIS: New International School: Matthew Stock
Treignac Projet: Sam Basu,
Elizabeth Murray.

The Real:
Phyllida Barlow, Tom Burr,
Anne Damer, Karin Ruggaber,
Audrey Reynolds, Fergal Stapleton,
Brian Wall, Martin Westwood.

Oysters Ain't:
Karen Ay, Vanya Balogh,
Fiona Banner, Richard Bartle,
David Batchelor, Rob Beckett,
Simon Bill, Hartmut Bohm,
Jake & Dinos Chapman,
Cedric Christie, Steve Claydon,
Clem Crosby, Cullinan+Richards,
Penelope Curtis, Arnaud Desjardin,
Valerie Driscoll, Richard Ducker,
Garth Evans, Urs Fischer,
FREEE ( Dave Beech, Andy Hewitt &
Mel Jordan), John Gibbons,
Tom Gidley, Paul Gildea,
Katherine Gili, Andrea Giulivi,
Stewart Gough, Naum Gabo,
Robin Greenwood, Brian Griffiths,
Zoe Griffiths, Nicola Hicks,
Peter Hide, Flore Nove-Josserand,
Helene Kazan, Michael Kidner,
Philip King, Simon Liddiment,
Ed Lipski, Colin Lowe,
Sarah Lucas, Christina Mackie,
Rebecca Johnson Marshall,
Bruce McLean, Haroon Mirza,
Cathy de Monchaux, Henry Moore,
Zadoc Nava, Paul Neagu,
Lawson Oyekan, Eduardo Paolozzi
, Nicholas Pope, Richard Priestley,
Michael Sandle, Paul Sakoilsky,
Celia Scott, Dallas Seitz,
Meg Shirayama, Jane Simpson,
Anthony Smart, Bob & Roberta Smith,
Richard Smith, Steve Smith,
Sarah Staton, Dan Stevens,
Simon Stringer, Michael Stubbs,
Gavin Turk, Jessica Voorsanger,
Gary Webb, Richard Wentworth,
Keith Wilson, Mark Woods,
Richard Woods, Lars Wolter,
Christian Wulffen.

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LOCATION:

Almond Building,
The Biscuit Factory,
Drummond Road,
Bermondsey,
London
SE16 4DG.
[Map]

NEAREST STATION:

Bermondsey

OPENING HOURS:

26 April - 31 May

Wed - Sun 12 - 6 pm

FREE ADMISSION

CONTACT

Adam Thomas

Tara Cranswick

TREIGNAC PROJET

International formatting guide/Design logic & Components of a Collection on New International School.

Art is always the absent or suppressed element within the presentation of art. The place held by Art is a construction of the mechanisms that surround it.

1,The collection. Treignac Projet will create a collection recording the activities of New International School (NIS). They include photographs e-mails, some sketches and objects, but no finished artworks. They are offered for examination as part of academic research into collaborative phenomena. A simple study area with index, documents, etc, will be constructed for the show

2,design logic. Design solutions that have come about in order to facilitate NIS meetings at the project, are presented in a temporary display. They represent the methods and thought processes during NIS activities. They reflect considerations of design economy, of the practicalities and pragmatics encountered at the site. They are a history of theoretical applications but also retroactively form a ‘style guide’.

a. Lamp

b. Temporary wall (enclosing the museum)

c. Temporary divider

d. Photo of rubble garden

e. Blue light

Treignac Projet, presents the economic and historical recording of projects it hosts. By placing the processes of accession and provenance, study and valuation, into the place of the artwork, it places the verifying powers located outside of the work, onto the artistic stage. It presents organisational structure as its object. It contends that systems of interaction and collaboration represent possibility for the object of art. Organisational structure represents not only method, but also a mechanics; it is a process of producing knowledge and insight about the world and also an example of knowledge.

By ignoring artistic dialogues, and working only with those disciplines that surround artistic thinking, treignac projet’s object is apparently suppressed. However, this mechanism allows art to reappropriate appropriation of art by systems that define art. These propositions are presented as a supplement to the AESD theoretical/educational stance. The work treats the practical and temporal nature of action, and examines the pragmatics of theoretical applications.